Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Thursday, February 23, 2012
Dear Grandpa
If letter writing is an art, then my grandfather was an artist. Born in 1923, he grew up in the 20’s and 30‘s. He was a young man and naval officer in the 40’s. My grandfather, Robert Burke Hilsabeck, wrote letters as did everyone else. A sign of the times I suppose, but there was nothing frivolous about my grandpa’s letters. There is a reason my grandmother saved every one he wrote when he wrote her everyday when he was in the naval academy. There is a reason everyone in my family saved the letters he had written them.They are beautiful.
There is something about letter writing. Taking pen to paper. Taking the time to write something by hand means more I think. You can tell me you love me, you can type it, you can text it, but writing it is different. It makes it more meaningful. It’s permanent and real. It takes effort.
When grandpa passed away in 2008, we were going through his things and found his “Copy Book,” something I didn’t know he had. It was a book of quotes he liked that he had written down over the years. I had this same thing in my purse that sat on the couch next to me. I loved that we had this in common. But what astounded me more is in it I found a draft of a letter he had written to me. A letter I had lost. The letter he wrote to me the week I got married. He was ill and couldn’t come to my wedding (which was devastating for me though of course I understood). He wrote me a letter in his absence. In it he quoted Robert Frost’s poem The Master Speed (a poem Robert Frost had written his daughter on her wedding day), “Together wing to wing and oar to oar.” A quote I love and is forever my barometer when finding a life long partner. I loved finding this long lost letter. Proof of his love for me, but also it proved to me he was a letter artist. He wrote drafts. There were scratched out sentences, arrows flipping phrases, re-chosen words. It was carefully constructed. He didn’t just use his quotes from his copy book, but wove them into his vernacular.
I also credit him with my love of story telling. I loved going to my grandparent’s house when I was a kid. Grandma would make me my favorite snack: a smoked cheddar cheese sandwich and hot tea and grandpa would bring out his tin of pencils and giant notepad. He would tell and draw stories all afternoon. A year before he passed away he read my picture book, Yawnster the Monster, and drew his rendition of Yawnster for me. I treasure that picture. It has a special place on my inspiration board.
Grandpa was an amateur photographer, collector of wisdom, illustrator, letter writer. I don’t know if my modest history teacher grandfather would have considered himself an artist. Though he most definitely was.
Take the time. Write a letter to someone you love. I’d love to hear about your connection to letter writing and letters you’ve received that have impacted you.
To close, I’d like to share the last part of a letter he wrote to me and my husband at the time:
“Both of you stay well and enjoy life: as Lincoln said he ‘was glad the future comes one day at a time.’ So it does and we have to ‘seize the day’ as the Romans said (Carpe Diem). Much love, Gramps.”
Grandpa, You would have been 89 today. Happy birthday. Thank you for making me all that I am. Your influence is obvious. As William Wordsworth said, “Fill your paper with the breathings of your heart." You did that. That is what strive for.
I love you. I miss you very much.
Your granddaughter,
Beth
Labels:
drawing,
Grandfather,
illustrating,
letters,
writing
Tuesday, September 20, 2011
Erin McKean, rockstar lexicographer, gives me great insight!
One of my writing projects I've been working on is a play called Definition. The main character is a lexicographer. Maybe this should be embarrassing to admit, but... I find that job fascinating. An editor of the dictionary. That sounds extremely important with lot of responsibility.
I've always been into words. I look forward to my word of the day email. I love playing "dictionary" at family gatherings. When I was about 10 I was obsessed with cool words and phrases. I still have all these old poetry books where I circled stuff I liked. I guess it's no surprise I enjoy writing. So when my play idea first dropped into my head I was very excited. Then I realized quite quickly that as much as I admired lexicographers, I know nothing about this profession and this character I'm writing is smarter than me. Now I'm no dummy, but I'm going to need some help here.
I found some articles online which were helpful, but found the most valuable information on a TED talk (I love TED talks!) given by senior editor at Oxford, Erin McKean .
Please watch! It is so worth your time. She talks about how we need to redefine the dictionary and how we interact with language itself. Fantastic. I learned a lot watching this, but I still wanted more. So I tried a shot in the dark. I emailed her. I pushed send and figured Erin, who I've dubbed the rockstar of the word world, would have much better things to do than respond to some playwright in LA.
Then she emailed me about a week later. Whoo hoo! I thought I'd share a few of her answers to some of my questions. Thanks again Erin!
What is a typical day for a lexicographer?
EM: t depends on the day, and the skills of the editor. There's planning
meetings, there are rote tasks (pulling lists of entries by category,
such as chemical elements, or checking all the currency entries to make
sure that they're up to date -- this was a big deal after the Euro was
created), there is new-word finding (people talk a lot about this, but
the truth is that there are so many more new words than most paper
dictionaries have space for, so it's mostly not finding new words, but
winnowing them out!), there is definition writing, there is checking
pronunciations (usually experts do this, but everyone pitches in). If
there are biographical entries (common in American dictionaries, but not
in UK dictionaries), they have to be updated.
A big part of dictionary work is pouring old text into new bottles --
for instance, taking a big dictionary and creating a new smaller edition
(like a desk dictionary) out of it.
Are their any inside jokes within the dictionary world?
EM: We usually call everything by short names: etymologies are etys,
definitions are defs, and pronunciations are "prons" -- which is also a
common misspelling for "porn" online, so there are some jokes about that.
People who write definitions are either "lumpers" or "splitters" -- they
want to cram as much meaning as possible into a single definition, or
they want to have a different definition for each possible shade of
meaning.
What is the most satisfing thing about your job? Why do you love it?
EM: I love words, but I really love systems, and the idea of systematically
describing all the words was very, very seductive. I have wanted to be a
dictionary editor since I was eight years old ... but I also love
computers.
I have had co-workers for whom is was more of a job than a vocation;
they were usually people who loved literature or research, but disliked
teaching, so they didn't enjoy university life.
Words are infinitely changeable, and the task of trying to pin them down
is both frustrating and exhilarating.
*** And while writing the interview email to her I told her paranoia was taking over while I wrote it thinking about my sentence structure, spelling and grammar. She was very sweet and assured me that lexicographers were not grammar nazis. They are too interested in variation and how people really use language.
Research is awesome! I love it. Thank you Erin McKean! Now back to the rewrite...
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